JEWS IN MUSIC
Western classical music is an outgrowth of the Gregorian chant, which had its origins in the liturgical chants of the synagogue service.1 In modern times, Jews have played a major role in music as performers, conductors, and composers. Of the one hundred leading virtuoso performers of the twentieth century listed at http://www.muzieklijstjes.nl/100players.htm, approximately two-thirds of the violinists, half the cellists, and forty percent of the pianists were, or are, Jews. Of the one hundred leading conductors of the twentieth century listed at http://www.muzieklijstjes.nl/100conductors.htm, approximately one-fourth were, or are, Jews. Among the leading classical composers, the Jewish representation is only about ten percent, the most notable having been Felix Mendelssohn, Jacques Offenbach, Gustav Mahler, Arnold Schoenberg, George Gershwin, and Aaron Copland (cf., World's 50 Greatest Composers). Jewish composers have, however, played a predominant role both in the development of the American musical theater and in the development of film music; approximately forty percent of the membership of the Songwriters Hall of Fame is Jewish.
- Jewish Pianists
- Jewish Violinists
- Jewish Cellists
- Jewish Orchestra Conductors
- Jewish Songwriters and Composers
- Jewish-Composed Broadway & Hollywood Musicals
- "Hebrew Melodies" (Songs by Jewish Songwriters on Music Video)
- Traditional & Contemporary Hebrew Songs on Music Video
- Yiddish and Ladino Song Performances on Music Video
- Jewish Recipients of the Academy Award for Best Original Song (45% of recipients)
- Jewish Recipients of the Academy Award for Best Musical Scoring of a Motion Picture (47% of recipients)
- Jewish Recipients of the Antoinette Perry (Tony) Award for Best Musical Production (61% of recipients)
- Jewish Recipients of the Antoinette Perry (Tony) Award for Best Original Score of a Musical (67% of recipients)NOTES
1. See, e.g., Beethoven's Anvil: Music in Mind and Culture, by William Benzon (Basic Books, New York, 2001, pp. 245-246, 259-261). Benzon notes that the Gregorian chant, which "has its roots in the pre-Christian music of the Jewish service," is "generally regarded as the fountainhead of Western classical music, all of whose forms have some link to their Gregorian lineage, though many other musics are eventually put to classical use."
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